Volume IV;

The Delirious Org

Curated by Molly Stephenson & Iona Mackenzie

Seda Yakupoğlu / Masha Silchenko / Freda Drakopoulos / Sara Andreasson / aec3 / Ana Balan / Josephine Mead / Iona Mackenzie / Seth Searle / Charlie Robert / Sara French / Jimena Poblano / Molly Stephenson

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Seda Yakupoğlu

Moon Snail

Digital collage

41 x 27

2020

Sara French

Floating on fire

Newspaper, paper, clock motor, video

2020

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Charlie Robert

Untitled

Oil & acrylic on canvas

16" x 20"

2020

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Iona Mackenzie

Liminal

Digital graphic

2020

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Jimena Poblano

Dreams of Fluid Materiality

Oil on canvas

56" x 46"

2020

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Sara Andreasson

Pointer Piece

Plaster, paint, print

45 x 38 cm (approx.)

2020

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Ana Balan

2020

(From left to right)

You always had the Key

Crayon on A4 paper

Conversation

Crayon on A4 paper

The Girl in Stone

crayon on A4 paper

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Sara Andreasson

Dune, Grassland, Wasteland, Soil

Air drying clay, paint, puzzle pieces, sand, putty, sawdust

19 x 35 cm

2020

Painting oneself into future undulations

Josephine Mead

Painting oneself into future undulations

Digital collage

2020

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Molly Stephenson

The Boudoir Laboratory

Materials variable

2020

Photography by Adam O'Sullivan

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Freda Drakopoulos

Inside your flowers

Digital collage

2020

Click the above image to view the full series

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Sara Andreasson

Tell Us

Paper, pencil, twigs, folders & wire

A4

2020

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Sara Andreasson

Dune, Grassland, Wasteland, Soil

Air drying clay, paint, puzzle pieces, sand, putty, sawdust

19 x 35 cm

2020

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Molly Stephenson

A vestige of magical performance

Wood, fabric, ceramic, glaze, staples, paper, pencil, fimo clay, wax, ribbon, tea candles

2020

Photography by Adam O'Sullivan

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Sara Andreasson

Pointer Piece

Plaster, paint, print

45 x 38 cm (approx.)

2020

Every morning I try to run to the waterfall and to wash my face with it’s water. My grandmother told me to do so, she said it purifies and gives you a divine energy, also takes the sorrows away. My sorrows didn’t go away, but it makes me feel connected with this place. Here waterfalls are considered as a living force, temples are often built next to them. 

After going to the onsen in the evening I pass by the park to see the waterfall again in the dark, the sound is so strong in the night when there are no other sounds. A lantern illuminates green plants growing on the rocks and strong foamy flows of water. 

 

There’s a legend about Jorogumo, a woman-spider, a mistress of the waterfall. Once a woodcutter met a beautiful girl at the waterfall and fell in love. He started to visit her every day, but was becoming weaker and weaker. A priest from a temple of the village was suspecting that the woodcutter was enchanted by a Jorogumo, the mistress of the waterfall, so once he accompanied him to sing the sacred texts and try to save the woodcutter. When the woodcutter stood next to the water, a spider thread went out of the waterfall and reached the woodcutter, at this moment the priest let out a yell that made the thread disappear. When the woodcutter understood that the woman was a ghost Jorogumo, he still persisted and tried to get a permission for a marriage from the local tengu  (the spirit of the mountain and forest). When tengu refused his request, he ran to the waterfall where he was entangled in the spiderweb and disappeared. 

Masha Silchenko

A Waterfall painting

Oil & coloured pencils on canvas

47 x 51 cm 

2020

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Seth Searle

Riches I

Oil on canvas

40 x 50 cm

2020

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Iona Mackenzie

Death of the Sword

Polymer clay & bandages

2020

Masha Silchenko

Untitled

Oil & pencil on canvas 

40 x 27 cm

2020

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Masha Silchenko

Daisies Connections

Ceramic

2020

It could be a bouquet, Digital Print, Si

Aec3

It could be a bouquet

Digital print

2020