Volume IV;

The Delirious Org

Curated by Molly Stephenson and Iona Mackenzie

Seda Yakupoğlu / Masha Silchenko / Freda Drakopoulos / Sara Andreasson / aec3 / Ana Balan / Josephine Mead /

Iona Mackenzie / Seth Searle / Charlie Robert / Sara French / Jimena Poblano / Molly Stephenson

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Seda Yakupoğlu

2020

Moon Snail

41 x 27

Digital collage

Sara French

2020

Floating on fire

Newspaper, paper, clock motor, video

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Charlie Robert

2020

Untitled

Oil and acrylic on canvas

16" x 20"

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Iona Mackenzie

2020

Liminal

Digital graphic

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Jimena Poblano

2020

Dreams of Fluid Materiality

Oil on canvas

56 x 46 in

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Sara Andreasson

2020

Pointer Piece

Plaster, paint, print

45 x 38 cm (approx)

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Ana Balan

2020

(From left to right)

You always had the Key

crayon on A4 paper

Conversation

crayon on A4 paper

The girl in Stone

crayon on A4 paper

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Sara Andreasson

2020

Dune, Grassland, Wasteland, Soil

Air drying clay, paint, puzzle pieces, sand, putty, sawdust

19 x 35 cm

Painting oneself into future undulations

Josephine Mead

2020

Painting oneself into future undulations

Digital collage

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Molly Stephenson

2020

The Boudoir Laboratory

Dimensions and material variable

Photography by Adam O'Sullivan

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Freda Drakopoulos

2020

Inside your flowers

Click the above image to view the full series

Dimensions variable

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Sara Andreasson

2020

Tell Us

Diptych

Paper, pencil, twigs, folders, wire

A4 x 2 

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Sara Andreasson

2020

Dune, Grassland, Wasteland, Soil

Air drying clay, paint, puzzle pieces, sand, putty, sawdust

19 x 35 cm

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Molly Stephenson

2020

A vestige of magical performance

Wood, fabric, ceramic, glaze, staples, paper, pencil, fimo clay, wax, ribbon, tea candles

Photography by Adam O'Sullivan

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Sara Andreasson

2020

Pointer Piece

Plaster, paint, print

45 x 38 cm (approx)

Every morning I try to run to the waterfall and to wash my face with it’s water. My grandmother told me to do so, she said it purifies and gives you a divine energy, also takes the sorrows away. My sorrows didn’t go away, but it makes me feel connected with this place. Here waterfalls are considered as a living force, temples are often built next to them. 

After going to the onsen in the evening I pass by the park to see the waterfall again in the dark, the sound is so strong in the night when there are no other sounds. A lantern illuminates green plants growing on the rocks and strong foamy flows of water. 

 

There’s a legend about Jorogumo, a woman-spider, a mistress of the waterfall. Once a woodcutter met a beautiful girl at the waterfall and fell in love. He started to visit her every day, but was becoming weaker and weaker. A priest from a temple of the village was suspecting that the woodcutter was enchanted by a Jorogumo, the mistress of the waterfall, so once he accompanied him to sing the sacred texts and try to save the woodcutter. When the woodcutter stood next to the water, a spider thread went out of the waterfall and reached the woodcutter, at this moment the priest let out a yell that made the thread disappear. When the woodcutter understood that the woman was a ghost Jorogumo, he still persisted and tried to get a permission for a marriage from the local tengu  (the spirit of the mountain and forest). When tengu refused his request, he ran to the waterfall where he was entangled in the spiderweb and disappeared. 

Masha Silchenko

2020

A Waterfall painting

Oil and coloured pencils on canvas

47 x 51 cm 

Paris

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Seth Searle

2020

Riches I

Oil on canvas

40 x 50 cm

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Iona Mackenzie

2020

Death of the Sword

Polymer clay and bandages

Masha Silchenko

2020

Untitled

Oil and pencil on canvas 

40 x 27 cm 

Brussels, Belgium

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Masha Silchenko

2020

Daisies connections

Ceramic

Tokyo, Japan

It could be a bouquet, Digital Print, Si

Aec3

2020

It could be a bouquet

Digital Print, 

Size Variable